Mad Clown x Kim Nayoung – “Once Again” Review

Mad
Clown x Kim Nayoung – Once Again (Music Video)

Mad Clown x Kim Nayoung – Once
Again (Descendants of the Sun OST)

Reviewed
on September 10, 2016

From the verses and choruses and
even in the bridge, the singing remains overly
simplistic. While this may create contrast with the rapping and therefore
enhance Mad Clown’s parts, it still remains problematic, and more so with how
it affects the song structurally.

Personal Message:
It has been quite some time since
the last review—a week, if being specific. Although that is not as drastic as,
say, two weeks, it is still a rather lengthier period given that reviews should
be coming out every four to five days. As such, I do apologize for slightly
lacking. But all that said, I have been incredibly busy. It is already
difficult enough to be consistently atop of school work, let alone reviews and
subtitling videos. I will do my best to balance both university and personal
activities, but as many would expect, university does have a priority. Thus, I
ask for readers’ (and viewers’) patience and understanding, and specifically
with this review and perhaps a few that follow, for being even more concise
than usual.

On topic, though I have said that
GFriend’s reality show, Look After My Dog,
was going to be next, I have decided instead to focus on this request. To the
requester, once again thank you for sending this in and moreover for being very
patient. If the show would have been reviewed first, this current review would then
be pushed back even farther and that is rather unfair to do—hence why this
review is occurring now. Nonetheless, I will review the show at one point if I
find myself busy to the extent that a bonus review is necessary. Focusing on
the song now, personally I was surprised to find that it was a drama OST (for Descendants of the Sun) and not an
actual single. (And on an irrelevant note, I plan to watch Cheese in the Trap at one point and to perhaps review it so as to
mark the first drama review of the blog and first drama I would entirely watch.
And yes, I am unfortunately that
viewer who flails and clenches his hands wildly during romantic scenes along
with chanting “Kiss!” all while probably simultaneously crying. I obviously am
very emotionally stable during dramas.)

Jokes aside, though my knowledge on
dramas is limited, from past experiences and coincidentally past requests, I
have found that drama OSTs tend to be quite solid and as a result have high
expectations for this song. But, once again as in every review, we have to ask:
does this song meet said expectations—both high and standard? And once again,
we will have our answer—but in the review, of course. And, once again, I need
to quit the awful puns if no reader has yet caught them.

_______________________________________________________

Song Score: 6/10
(6.25/10 raw score) – “Slightly above average”


Vocals: 6/10


Sections: 6/10
(5.83/10 raw score)

Introduction,
Chorus, Rap, Verse, Chorus, Rap, Verse, Chorus, Bridge, Conclusion  

1.     Introduction:
6/10

2.     Chorus: 4/10

3.     Rap: 7/10

4.     Verse: 6/10

5.     Bridge: 5/10

6.     Conclusion: 7/10


Instrumental: 5/10


Lyrics: 8/10

Will I see you again?
I’m standing in front of destiny
that has passed me by again
Was it a dream that we couldn’t wake from?
You’re getting farther away and I couldn’t tell you
Not even once
I love you
Deep inside my heart
Don’t let me cry

You’re a dream that’ll disappear once I touch you
Like snow that melts
When I missed you, I became you
I didn’t hold onto you
because I thought you’d come back
I thought I’d see you again if I kept longing for you
The start and end of my feverish feelings
I’m standing at the start and end
Like an emergency light,
I’m the only one with the light on in the darkness
No matter how much I think about it, the answer is you
But I’m writing the wrong answer in my heart
I try pushing you out but you’re still there
And now you’re inside my dreams

(I don’t wanna lose you,
be without you, anymore)
I thought hard but I don’t know
how to live without you
(I don’t wanna lose you,
be without you, anymore)

Will I see you again?
I’m standing in front of destiny
that has passed me by again
Was it a dream that we couldn’t wake from?
You’re getting farther away and I couldn’t tell you
Not even once
I love you
Deep inside my heart
Don’t let me cry

If only I can go back for one day
If only I can live that day
If only I can turn back the words and actions that hurt you
If only I can make you less lonely and hug you tight
If only that day I crazily regret is given to me once more
I would never let go of your hand again
I only need you to beautifully bloom
I’ll be a thorn for you
Damn it, why didn’t I know back then?
If I held onto you, would things be different?
It’s you anyway for me
Even if I leave you, it’s you anyway

(I don’t wanna lose you,
be without you, anymore)
I thought hard but I don’t know
how to live without you
(I don’t wanna lose you,
be without you, anymore)

I’m standing in front of destiny
that has passed me by again
Was it a dream that we couldn’t wake from?
You’re getting farther away and I couldn’t tell you
My heart

I’m still crying
(Don’t let me cry)
I’m waiting right here
until my heart gets exhausted
Don’t say goodbye
Come back to me
Come to me whenever

_______________________________________________________

Analysis: Although
an overall rating of a six is nothing to dismiss, I will admit this song was
rather disappointing in terms of what I personally expected. Given the ballad
style of the song with inclusions of rapping, it would, on a superficial level,
seem to be both very unique all while sonically holding well. But,
unfortunately as we will cover, this is not the case.

First,
though, for the strengths of this song, the vocals and the lyrics are of the
stronger aspects. With the latter, it flourishes in the two main features I
look for: details and plot. As noted the rap sections especially but also the
other sections, the lyrics in these parts are very diverse and seldom repeat
identical ideas. Furthermore, even if the plot is of the usual heartbreak,
tear-inducing story (and perhaps to relate to the drama), due to the level of
depth involved and the peculiar composition style—both monologue and dialogue—the
plot is still very exceptional. Focusing on the vocals now, it is a rather
interesting case. Mad Clown’s vocals in his raps remain solid, but on the other
hand with Nayoung’s singing, it does render as stale. Now that said, I will
acknowledge the opposing viewpoint: Certainly the style of the song—and of
which cannot be critiqued directly as discussed in past reviews—elicits a singing
style that is moreover linear and passive, and thus, I should not be critiquing
Nayoung’s singing as stale. However, for my argument, even within a
stylistically linear song, there can—and should, in most cases—be some variety
in the vocals. Nayoung’s vocals, while sonically soothing and charming, lacks
in just that: variety. From the verses and choruses and even in the bridge, the
singing remains overly simplistic.
While this may create contrast with the rapping and therefore enhance Mad Clown’s
parts, it still remains problematic, and more so with how it affects the song
structurally.

On
that note, the sections and instrumental are “Once Again” ‘s weaker components.
The overall issue with these would be how all of them are conducive to creating
an excessively linear flow. Again, linearity as a style is not bad; likewise, a
fast, upbeat song is not automatically good. What matters is the delivery of
said style, and in “Once Again,” the style is absolutely fine but the delivery
of it is a bit weaker. On topic, the instrumental is similar to Nayoung’s
singing: individually it sounds well, but on a larger scale the instrumental only
provides basic transitions and more importantly does not quite progress the
song. In blunt terms, the instrumental is just there; the instrumental provides
a background for the song, but nothing more with adding extra dynamics. That is
why the score is average. Now with the sections, though statistically it is at
a six, the choruses are perhaps the weakest point in the entire song. Reason
behind this is that the choruses are, unfortunately, the result of all of the
mentioned weaknesses: a dull instrumental, duller singing, and a duller
structure. The choruses merely exist and carry on the song, but little is
delivered in terms of actual content itself.

Overall,
“Once Again” is not a song that is flawed by its style; as discussed, the style—as
is any—is fine and the rapping is very much augmented by its form. What is
lacking, however, is that many parts are left and being too simplistic; even within simplicity, unless if properly managed and
executed, there should be some minor variety and changes occurring. Otherwise,
the result is what “Once Again” showcased: a section (or more) that ends up
holding space without providing much else. After all, shouldn’t each aspect to
a song be somewhat memorable and distinct? All in all, “Once Again” is still a
decent song despite these rather significant drawbacks, and indeed the rapping
and ballad combination is, in an overarching view, enticing—even if a more
critical hearing reveals some weaknesses.

_______________________________________________________

As
always, thank you to the requester for sending in this song and thank you to
others for reading, both in full or short. I truly appreciate it all, and it is
unfortunate that my robotic, tedious repeating of the earlier line does little
to showcase that. Finally to add, I will apologize if this review proved a bit
less in-depth than usual, but as mentioned due to being quite busy I have no
choice. On the positive side, however, I find it may be best to cover more
songs and to discuss the more critical, provocative points than to dive into
all of the details (as I slightly did in this review). More experimenting is to
occur, and with that, the next review will be on Red Velvet’s “Russian
Roulette.” It will be the first time I review the ladies, and it will also be
the first time I have personally and critically enjoyed a song by them.

Until
then, “Come back to me / Come to me whenever” for a review on Red Velvet’s
recent comeback.